Small GIF for The Artist and Author Comitee.
I don’t talk politic here so much but tomorow the french government wants to destroy the french statut of “artist author”. It’s an admnistrative statut for creative professional in France. It’s not a big thing but it allows to a lot of creative professionals such as comics author, writers, artist etc… to simplify fiscality, or just social protection. This statut takes care of the specific needs of creative. It was not a paradise with it, majority of creators and artist are poor here but it was a small protection. Now the government has simply decided to throw it away and ignores every complains from our community. Tomorrow there will be a demonstration in Paris at metro station Palais Royal 11.30 am more info here in french : https://www.facebook.com/events/171132753583656/
You can just share this picture or create your own dead Mickey if you want to support us on social media.
Merci!
More you might like
Shout out to this incredible color resource site! They give you anything and everything you could ever want to know about a color from color schemes to RGB percentage makeup. There’s even a color blindness simulator for help with using visible/accessible colors for all viewers.
So keep this site in mind if you’re a graphic designer, interior designer, artist, color enthusiast, or whatever! It’s quite awesome.
Jamie Hewlett is an English comic book artist and graphic novel designer. He is known for being the co-creator of Tank Girl and the artist behind the visual work of the virtual band Gorillaz.
Jamie Hewlett’s art makes me angry on so many beautiful levels.
canadian vandalism
Every time I see this, I think about the Canadians whose English isn’t so great who must be completely baffled by it. The French text isn’t changed.
PSA
- Things that exist: Bulgarian culture, Spanish culture, Canadian culture, Ukrainian culture, German culture, Swedish culture, Dutch culture, Basque culture, Austrian culture, French culture, Portuguese culture, Bosnian culture, Irish culture
- Things that do not exist: "White culture"
- Things that exist: Honduran culture, Indian culture, Japanese culture, Mongolian culture, Venezuelan culture, Moroccan culture, Egyptian culture, Iraqi culture, Cherokee culture, Jamaican culture, Korean culture, Bangladeshi culture, Shoshone culture
- Things that do not exist: "PoC culture"
Have you seen Tony Valente’s French Manga opus, Radiant? It was recently acquired by Japanese publisher Asukashinsha just days ago, thanks to the help & support from One-Punch Man artist Yusuke Murata. This puts Valente in rare territory, marking his manga as the 1st French Manga published in Japan. Awesome guy, too. Thanks for the signed copies, bro!^^
Purchase here: http://www.amazon.fr/Radiant-Vol-1-Valente-Tony/dp/2359103911
Anime News Network article on his works: http://www.animenewsnetwork.com/interest/2015-08-06/radiant-becomes-1st-french-manga-published-in-japan/.91351
When Darkness Illumites - Young, Black and of the “Doom Soul” Generation.
First things first. The ‘doom soul’ descriptor is not one that I can take credit for in any. I first came across these words after reading about Somali-Canadian artist Cold Specks. She used it to describe her sound and ever since then, upon discovering new artists and listening to musicians already in my collection, it’s become a recurring way to describe much of the music I’ve been hearing - and loving - from African/African-descended/Black artists both in Africa and the diaspora.
Through these observations, I’ve spent some time compiling the stand out artists in this new generation that fall under the somewhat wide umbrella of the borrowed ‘doom soul’ term. Not one of the artists you’ll hear on my accompanying music mix/playlist sound like each other. And yet, there are several recurring features that tie them all together.
Whether Kelela or Kwabs, BLK JKS or Benjamin Clementine, all these artists have soulful sensibilities attached to their vocal abilities, lyrical content, and melodic inclinations. Each containing their own mixture of elements of soul, r&b, indie, folk, blues, eclectic electronic sounds, the result is usually an emotionally charged hybrid of music with a slightly gloomy aura. Haunting, wholesome and incredibly powerful.
Listen to my Afro-Doom Soul playlist featuring Cold Specks, Mirel Wagner, Benjamin Clementine, Kwabs, Kelela and more.
Tal Peleg, Passionate makeup artist, designer and blogger.
She’s bomb!
I CAN’T EVEN DO A SIMPLE CAT EYE!
CINEMATIC MILES MORALES COSPLAY
Yo! My name is Nikolas A. Draper-Ivey…This is cosplay as Cinematic Miles Morales: The Ultimate Spider Man. This suit was made by Jesse Covington ( Writer and Costume Designer) and sewn by Sasha Williams ( Fashion Major graduate). Photos were taken by Pierre BL Brevard I specifically would like to thank Marvel Comics Artist Sara Pichelli for designing this character. I’m also very excited to see Olivier Coipel's work on Spider-Verse!
(Full shoot will be shot in New York itself just in time for NYCC)
artist tips
don’t save as jpeg
as a former yearbook editor and designer, let me explain this further
if youre only planning on posting your art online, them please save it as .png ;this is also better for transparencies as well
BUT
please, if youre planning of printing your art, NEVER use png. it makes the quality of the image pretty shitty. use jpeg or pdf instead. and always set your work at 300dpi to get a better printing quality - this means, the images are crisper and sharper and theres no slight blurriness. i had a talk with my friend who is currently taking design, and pdf is much better to use when youre working with a bigger publishing company because it still has the layers intact, but if youre only planning on printing your stuff at staples or at some small publishing store, the jpeg is the way to go.
this has been a public service announcement
I’ve replied to this once before but I see it’s doing the rounds again.
This is all utter bullshit.
I’m sorry but if your qualification is working on the school yearbook, you have no qualifications. Do not pretend otherwise. As a former professional photo manipulator for advertising brochures, I can say that you’re not comparing apples to oranges here - if anything, you’re comparing fruit to farmyard machinery:
- JPEG is a lossy format. It is suitable for web imagery because it sacrifices detail for reduced file sizes, but in doing so it introduces artifacts that weren’t in the original; if you load a JPEG for editing, then save it as a different JPEG, then you’re adding more artifacts formed from those first artifacts. Do this often enough and you end up with a horrid glitchy mess that looks like a puddle’s reflection after a stone’s been thrown in. You’ve seen those memes that have 3 or 4 different “found at” tags along the bottom, that look like fingerpainted copies of the original? That’s why.
- PNG is a lossless format that comes in two primary flavours, PNG-8 and PNG-24, which use 8 and 24 bit colour respectively. 8-bit colour is what you have in GIFs, a limit of just 256 different colours in a predetermined palette, usually automatically chosen by your software when saving. These files will look the same as GIFs, potentially with large patches of solid colour instead of the usual gradual shading seen in 24-bit imagery. This is usually better for small banners or pixel art, as it can yield smaller filesizes than GIF format. (There is an animated version called MNG but it has very little web support, hence the continued use of GIFs.)
- PNG-24 is great for larger images where detail is as important as colour depth, as well as printable RGB images and (if supported by the client) full colour images with gradient transparencies. It most certainly does not make “the quality of the image pretty shitty,” as it preserves every nuance. File sizes can be smaller than JPEG for small images, or significantly larger for large images.
- PDF is a container file, whatever you put into it will be pretty much preserved as it was, so you gain nothing but lose nothing.
- TIFF is what you need to be using for archival or print-quality imagery. It has support for multiple layers, multiple colour channels (RGB as well as CMYK, which is essential for accurate print rendering), and everything is preserved exactly as it was seen on-screen when being composed. There are compressed versions available, they use similar methods to PNG in order to maintain detail without sacrifice; next to whatever your graphics program uses natively, this is the most interchangeable format available for professional use.
- DPI is important only when used in combination with image dimensions; in and of itself it serves no purpose. If you make a brilliantly detailed 640x480 image & set it to 300dpi, you’ll receive a brilliantly detailed 2 inch x 1.6 inch print. This is great if you want to make a postage stamp, but not if you’re creating an A4 flyer! Determine the image’s dimension then set the DPI accordingly; 72dpi isn’t hideous especially for text-heavy work (it’s ~3 pixels per millimeter), and 150dpi can be suitable for many images. Unless you’re interested in photo realism, 300dpi is usually overkill - for our hypothetical A4 flyer, you’d need a file of 2490x3510 pixels for edge to edge printing, with a correspondingly high memory requirement and filesize even if using a compressed format.
- Keeping the layers intact is utterly unimportant for print work unless you want to use a separated colour print method that requires multiple passes to lay down each ink. If you send a file with all the layers, masks, etc. off for printing you’re liable to get it sent back unactioned, as they won’t want to take responsibility for choosing the wrong elements for printing. Save your work with everything intact, then save a flattened copy especially for printing purposes - this is one of the reasons Save Copy As… is a common option in graphics manipulation software.



